请问各位老师，如何把揉弦练快？尤其是那种持续不断的揉弦？我觉得自己揉一会儿就慢下来了。是不是方法不对？因为小臂有点儿酸。

梅纽因的一个老师对他说：“要快、要快、要快些”，梅纽因就学会快速揉音了。这后来成为大师聊以自嘲的一个故事。

For me, he most important aspect of vibrato is not that it is fast, but that it is relaxed.  If you are having pain it could well be because you are clenching between the thumb and forefinger.  A good vibrato is one which can transition smoothly between fast and slow, and between wide and narrow.  You can practice this by starting with a wide, slow vibrato (taking care that the left thumb is loose, and the forefinger is not tightly held against the neck) then very gradually allowing the vibrato to speed up. This method works for either a wrist, or an arm vibrato. (or a combination)

Brandon

引用:

原帖由 Brandon 于 2008年6月3日 23:02 发表
For me, he most important aspect of vibrato is not that it is fast, but that it is relaxed.  If you are having pain it could well be because you are clenching between the thumb and forefinger.  A good ...

指尖运动多一点，另外，要快，要快，要快些

我认为快的柔弦需要依靠非常慢的动作来练习，越慢越好。因为在慢速的过程中，动作是放松的，让所有的关节都打开，虽然声音不是很好听，但是这样练习可以找到一种“通“的感觉。动作一通，就可以为所欲为，达到自己想要的速度。
记得有一则这样的故事，一位旅客向宾馆经理抱怨：楼上有位初学小提琴的在练习柔弦，让人实在难以忍受！结果上楼去一瞧，那人正是著名的小提琴家克莱斯勒。
我相信慢就是快，极慢可以练就出极快，但快是练不出极快的。正所谓“欲速则不达”

在揉弦中我认为慢练主要还是启发作用，这个慢练同右手的慢练还是有所不同的吧

快速揉弦的动力来自于内心的激情～

当慢速揉弦无法表达你内向对于音乐的冲动时～ 我想你会拼子老命快速“摇”动你的手臂的