贴一些古名琴照片
希望大家喜欢 接上 ：face62： 真是赏心悦目！ 感谢林老师。看名琴照片，如看美女照片一样养眼。 美女和鲜花都会随时光而凋谢，美酒和名琴却历久弥珍． 但人们也常将美酒比作花露，将名琴比作美神。（靠，咱俩在这里冒酸水呢？）
一个活生生的美女，一朵枝嫩的鲜花，都是自然的造化，
上帝的用心必多过美酒和名琴。
巧夺天工
[b][size=6][color=sienna]谢谢！[/color][/size][/b] 哈哈，接着来[[i] 本帖最后由 制作提琴 于 2008年3月27日 17:29 编辑 [/i]] ：face50： 一饱眼福。：face50： 继续
[[i] 本帖最后由 制作提琴 于 2008年3月30日 21:31 编辑 [/i]] 1714 Soil strad
[[i] 本帖最后由 制作提琴 于 2008年6月5日 22:56 编辑 [/i]] This first-rate example from the "long period" of Antonio Stradivari is on the market for the first time since 1954. The violins Stradivari made during the 1690s were slightly longer and narrower than in previous periods. This pattern change served the desire of the players of the day for a more powerful instrument. Stradivari was about fifty years old when he made this violin and the workmanship reflects his mature, individual style. "Irish, Burgundy, Maaskoff" derives its first name from three nineteenth century owners in Dublin, Ireland. It is traced first to a Mr. Dowell who was in the wine trade and acquired the violin in Spain during the early part of the century. From Dowell, the violin changed hands into those of an amateur named Mr. Sweetman, and again to a Dublin music director named Levey. After Levey, the violin made its way to London where W.E. Hill & Sons sold it first to a Thomas Baker in 1889 and then to a George Wedekind in 1909. The violin derives its second name "Burgundy" from the rich and beautiful red color of its varnish. The Maaskoff moniker comes from the next owner, Anton Maaskoff, a well-known concert violinist, who purchased the violin from the Hill firm in 1931. In 1954, the Rembert Wurlitzer firm sold the violin to an amateur violinist, doctor, and prominent collector. It was the centerpiece of his collection and upon his passing, was entrusted to Reuning & Son Violins for sale. Because the "Irish, Burgundy, Maaskoff" violin has been cherished by so few owners, it comes to us in remarkably fine condition. It boasts a powerful and complex sound that will complement the most demanding player. Today, one can hear similar violins in the hands of such renowned musicians as Ruggero Allifranchini, Mary Lou Speaker Churchill, Gil Shaham, Vladimir Spivakov, and Masuko Ushioda. We welcome your inquiry about "Irish, Burgundy, Maaskoff," as well as two more Stradivari violins we offer at this time.（我也看不懂，转来的^_^） It is said that when George Craske died, over 1000 instruments (in various states of completion) were remaining in his house. He was an itinerate maker who lived in complete seclusion for more than 20 years. He is also one of the most prolific makers in the history of the violin. Craske's work is spontaneous, bold, sure-handed and covered in a beautiful red brown varnish. We find Craske's instruments to be amongst the most undervalued violins of the English school. We have taken great pleasure in placing dozens of them in the hands of deserving students and professionals. This example, in perfect condition, is in the best category of his work and has a dark, full sound. （谁能翻译下） 其中有几把琴明显不对称，走形了。我想不是故意造成歪琴吧? 其中有几把琴明显不对称，走形了。我想不是故意造成歪琴吧? 谢谢了，这些图片很有价值 [quote]原帖由 [i]一夫[/i] 于 2008年6月14日 15:54 发表 [url=http://violinstudy.net/bbs/redirect.php?goto=findpost&pid=10706&ptid=1356][img]http://violinstudy.net/bbs/images/common/back.gif[/img][/url]
其中有几把琴明显不对称，走形了。我想不是故意造成歪琴吧? [/quote]
岁月的痕迹，历经几百年多少会有些变形 咱们再继续 续昨天
回复 12楼 制作提琴 的帖子
有一些专业术语看不懂，比如“long period"等，希望有兴趣的朋友能够帮助翻译一下。最近很累，有点儿术语的文字就不想翻，也“翻不动”。谢谢页:
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